Pictures from the ART@IU Replotting Performance Conference 2016

Replotting Performance Conference Schedule

Conference Schedule

All events take place at the Lee Norvelle Theatre and Drama Center, located at
275 N Jordan Avenue on Indiana University’s Bloomington Campus.

Friday, March 25th
REGISTRATION AND OPENING EVENTS
5:00 pm-6:30 pm
Registration Table Open Theatre Art Gallery

6:30 pm-7:15 pm
Pre-Show Talk and hors d’oeuvres* Theatre Art Gallery
Featuring: Peter Gil-Sheridan, Mauricio Miranda, and Bruce Walsh

7:30 pm-10:00 pm
Performance 1: Wells-Metz Theatre
Occupants by Mauricio Miranda

Saturday, March 26th
BREAKFAST AND DEPARTMENTAL WELCOME
8:45 am-9:20 am
Breakfast* DeVault Lobby

9:20 am-9:25 am
Welcome A201

PANEL PRESENTATIONS
9:30 am-10:45 am
Panel 1a: Moving Through Language and Body A201
1. “Kinetic Image Schema – Performance Moving Through Metaphors in Windstorm”
Eric Heaps, Ph.D. Candidate in Theatre History, Theory, and Literature, Indiana University
2. “From choreo-singularity to choreo-anatomy: dancing the body-score of Becoming”
Laura Potrovic, Ph.D. Student in Theatre Studies, University of Paris 3- Sorbonne Nouvelle
3. “Space Animator: A ‘Bodymind’ Finds Flow with Suzuki Movement”
Justin Rincker, Ph.D. Student in Theatre History, Theory, and Literature, Indiana University
Panel Chair: Bridget Sundin, Ph.D. Student in Theatre History, Theory, and Literature, Indiana University

9:30 am-10:45 am
Panel 1b: Women, Politics, and Transformation Through Narrative A152
1. “Nationalist Mythology and Yeats’ Cyclical View of History”
Miriam Poole, Ph.D. Student in Theatre History, Theory, and Literature, Indiana University
2. ““I love dirty stories’: Lost, Happy Voices and Female Narrative Transformation”
Susannah Stengel, M.A. Student in Theatre History, Theory, and Literature, Indiana University
3. “The Pursuit of Identity by Women in The Force of Change and In the Blood”
Huihui Huang, Ph.D. Student in Theatre History, Theory, and Literature, Indiana University
Panel Chair: Whit Emerson, Ph.D. Student in Theatre History, Theory, and Literature, Indiana University

11:00 am-12:00 pm
Panel 2: Practice as Research Roundtable: Antigone A 201
Panelists: Katie Horwitz, M.F.A. Student in Directing, Indiana University
Ashley Dillard, M.F.A. Student in Acting, Indiana University
Liz Shea, Associate Professor & Director of IU Contemporary Dance Program, Indiana University
Adam McLean, Assistant Professor of Movement & Stage Combat, Indiana University
Moderator: Bridget Sundin, Ph.D. Student in Theatre History, Theory, and Literature, Indiana University

12:00 pm-2:00 pm
Lunch

2:00 pm- 3:00pm
Performance/Roundtable 2: A201
“‘In Some Other Life’; Methods of Adaptation in Michael John LaChiusa’s Hello Again”
Joshua Robinson, Ph.D. Student in Theatre History, Theory, and Literature, Indiana University
Performers: Joey Birchler, Kayla Marie Eilers, Christian Fary, Mia Fitgibbon, Jimmy Hogan, Kaitlyn Mayse, Scott Van Wye, &
Michelle Zink; Amanda Li (Musical Direction), Kaitlyn Louise Smith (Choreography)
Moderator: Joe Stollenwerk

3:00 pm-4:15 pm
Panel 3a: Sheep, Sacrifice, Scotland, and Shootin’ A152
1. “Stage Violence as Religion, Ritual, Sacrifice”
Tom Oldham, Ph.D., Independent Scholar
2. “Performing Populism: A Play, a Pie, and a Pint”
Deana Nichols, Ph.D., Independent Scholar
3. “Annie Oakley, Folk Heroine and Actress”
Katherine A. Johnson, Ph.D. Student, Communication & Culture, Indiana University
4. “Disruptive Presences: Talking to Sheep in the Brome Abraham and Isaac”
Abby Ang, Ph.D. Student, English, Indiana University
Panel Chair: Whit Emerson, Ph.D. Student in Theatre History, Theory, and Literature, Indiana University

3:00 pm-4:15 pm
Panel 3b: Verbal Art as Performance A201
1. “‘Wait. What did You Just Say?!’ Using Irving Goffman’s Expression Games To Analyze a Magic Performance”
Andres Lopez, Ph.D. Student in Theatre History, Theory, and Literature, Indiana University
2. “Ethics and Ethnography: An Attempt in Understanding Dialect and Transcription”
Lora Smith, Ph.D. Student, Communication & Culture, Indiana University
3. “The Establishment and Maintenance of Short-Term Joking Relationships”
Sarah Campbell, Ph.D. Student in Theatre History, Theory, and Literature, Indiana University
Panel Chair: Dr. John H. McDowell, Professor of Folklore, Indiana University

4:15 pm-4:45 pm
Snack Break* DeVault Lobby

4:45-4:55 pm
Presentation of Essay Prize A201
Dr. Jennifer Goodlander

5:00-6:00 pm
Panel 4: Bodies in Performance A201
1. “A Concrete Utopia: The Call of Authenticity and Hope in Gay Verbatim Theatre”
Brennan Murphy, B.A. Student in Theatre, Indiana University
2. “The Actor’s Verse: An Analysis of The Second Shepherd’s Play”
Alexis DeSollar, B.F.A. Student in Acting, Millikin University
Panel Chair: Andrés López, Ph.D. Student in Theatre History, Theory, and Literature, Indiana University

6:00-7:30 pm
Catered Dinner * DeVault Lobby

Sunday, March 27th
8:30-9:15
Breakfast* DeVault Lobby

9:15 am-10:30 am
Panel 5: Race and Gender in Performance A201
1. “‘Help Us Stand Up Proudly Again’ – Lao She’s Love and Revolution”
Whit Emerson, Ph.D. Student in Theatre History, Theory, and Literature, Indiana University
2. “Ramleela in Kangra Valley of Himalaya”
Chitra Upadhyaya, Freelance Journalist, University of Pune, India
3. “The Re-Construction of Gender –– Masculinized Women’s Body in the Chinese Model Opera”
Weiyu Li, M.A. Student in Theatre History, Theory, and Literature, Indiana University
Panel Chair: Andrés López, Ph.D. Student in Theatre History, Theory, and Literature, Indiana University

10:45am- 11:45am
Keynote Address A201
“Sites of Possibilities: Converging Research and Creative Practice in Our Own Work”
Dr. Julia Listengarten, Professor of Theatre, University of Central Florida

11:45am-12:00pm
Closing Remarks A201