THE MAGISTRATE at the IU Cinema February 24

A very cool new program @ IU Cinema. Can’t wait until the regular program in Fall 2013!

7th & Jordan

12. John Lithgow (Aeneas Posket) and Dandies. Photo by Johan Persson

Many of you may be familiar with Great Britain’s Royal National Theatre and their program of sharing their stage performances with the rest of the world via “simulcast” showings in cinemas and movie theatres. Here is their description of the program (from their home site):

National Theatre Live is the National Theatre of Great Britain’s groundbreaking project to broadcast the best of British theatre from the stage to local cinemas around the world.

Each performance is filmed in high definition and broadcast via satellite to over 500 venues in more than 20 countries.

The National Theatre stages over 20 new shows a year at its London home. Recent successes have included Tony Award-winning War Horse and One Man, Two Guvnors, which have since become international smash-hit productions, transferring to Broadway and beyond.

Many people, including members of our department, have expressed a desire to bring this series of…

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Seminar: “Rhizome: Choreography of a Moving Writing Self” with Dr. Petra Kuppers

The Association for Research in Theatre at Indiana University (ART@IU) and The Department of Theatre & Drama cordially invite faculty and graduate students to participate in:

“Rhizome: Choreography of a Moving Writing Self”

A seminar on disability culture and community performance conducted by artist, scholar, and dancer Petra Kuppers

Friday, March 22, 2013 | 3:00 pm – 5:00 pm
Studio Theatre, Theatre Building, 2nd Floor

SPACE IS LIMITED; please RSVP to to attend. Two readings from Petra’s most recent book Disability Culture and Community Performance: Find a Strange and Twisted Shape (Palgrave 2011) will be made available to participants in advance of the seminar.

PETRA KUPPERS is Professor of English, Theatre and Dance, and Women’s Studies at the University of Michigan. A performance maker, community artist, and self-proclaimed witnessing critic, theorist, and a disability culture activist, Kuppers cites her journey as an artist as emerging from a “passionate exploration of performance ethics and community building.”

“What we call ‘art’ is up for grabs, needs to be re-thought, re-created, every time we step into the river of practice,” she writes.

“I know this because as a disabled dancer living with pain and fatigue, I have to subvert the ordinary, have fun in unusual spaces, and find time out of time.” For over twenty years, Kuppers has engaged community participants gently and with thought-in-process work. Some of these workshops happened in women’s centers, hospices, mental health self-help groups, youth groups, traditional Weavers and Knitters Guilds, with politicians, with people labeled as ‘developmentally disabled’, with cancer survivors, in National Parks, in abandoned buildings, and on the beach.

In addition to teaching, Kuppers is also Artistic Director of The Olimpias, a performance research project that investigates intersections between community art, identity politics, and (new) media. Some of her past works include Disability and Contemporary Performance: Bodies on Edge (Routledge, 2003), The Scar of Visibility: Medical Performances and Contemporary Art (University of Minnesota Press, 2007), and Community Performance: An Introduction (Routledge, 2007). Her most recent book, Disability Culture and Community Performance: Find a Strange and Twisted Shape (Palgrave 2011) won the American Society for Theatre Research’s 2011 Sally Banes Prize.


This event is a part of (corpo)realities, the second annual Indiana University Graduate Symposium on Theatre and Performance Studies, a two-day event where young scholars from all over Europe and the Americas will convene in Bloomington to present their research in progress. This year’s conference will feature academic paper presentations, demonstrations, actor-training workshops, and short performance pieces that actively question the role of embodiment and presence in art.

The conference is hosted by the Department of Theatre & Drama in affiliation with the Association for Research in Theatre at IndianaUniversity, (ART@IU), a newly minted organization formed to foster a scholarly community for graduate and advanced undergraduate students to share their work in theatre and performance studies. With plans to host future conferences, guest speakers, and practice-as-research performances, ART@IU hopes to provide opportunities for Indiana University students to expand their professional networks by developing connections with other theatre researchers within the college and beyond.

(corpo)realities will convene at the Lee Norvelle Theatre and Drama Center with an evening performance of (a love story) on Friday, March 22.  The student presentations will commence in the morning on Saturday, March 23 and continue through the keynote speech in the late afternoon. All events are open to the public, though seating is limited.  More information about the conference and tickets for (a love story) may be  found online at