Photos from the 2014 Cultural Indigestion Conference

Everyone enjoyed the 2014 Art@IU Cultural Indigestion Conference. Papers, performances, and a roundtable were held to discuss the importance of intercultural theatre and performance practice. Here are a few pictures of the various events that made the conference successful!

 

Keynote Speaker Lucienne Guedes Fahrer Workshops and Lecture

The Department of Theatre, Drama, and Contemporary Dance, The Association for Research in Theater at IU, and Indiana University Student Association invite you to workshops and a lecture by:

Lucienne Guedes Fahrer  (University of São Paulo/Teatro da Vertigem)

Lucienne Guedes Fahrer

Lucienne Guedes Fahrer

Workshop

“Working with Actors in Site-Specific Performance”

Tuesday, December 9, from 4:30 – 6:00 pm

Studio Theatre (Lee Norvelle Theatre and Drama Center. 275 North Jordan Ave, Bloomington, IN)

 

Lecture

“The Works of Lucienne Guedes Fahrer and the São Paulo Theatre Scene”

Wednesday, December 10, at 5:30 pm

A200 (Lee Norvelle Theatre and Drama Center)

Workshop

“The Collaborative Playwriting Process”

Thursday, December 11, from 4:30 – 6:30 pm

Studio Theatre (Lee Norvelle Theatre and Drama Center)

Another lecture, co-sponsored with the Department of Spanish and Portuguese, will be offered in the Redbud Room of the Indiana Memorial Union, Wednesday, December 10, at 2:30 pm. This lecture will be in the Portuguese language and is entitled “O Processo Colaborativo de Criação.”

 

Cultural Indigestion Symposium Schedule

ART@IU Cultural Indigestion Conference

ART@IU Cultural Indigestion Conference

Indiana University Department of Theatre, Drama, and Contemporary Dance

Cultural Indigestion
3rd Annual Graduate Symposium on Theatre and Performance Studies

All events are in the Lee Norvelle Theatre and Drama Center, 275 N. Jordan Avenue, Bloomington, IN 47405, with the exception of Panel 1 which is located at the Mathers Museum of World Cultures, 416 N. Indiana Avenue, Bloomington, IN 47408. There is free parking across the street from the theatre building, on the upper level of the Jordan Avenue Garage.

Friday, December 12
REGISTRATION AND OPENING EVENTS
3:30 pm-4:30 pm
Registration Table Open……………………………………………….Michaels Lobby

4:30 pm-6:00 pm
Panel 1: Mathers Museum Exhibit Opening – Still/Moving………..……Mathers Museum

6:00 pm-7:30 pm
Catered Dinner………..……………………………………………Lee Norvelle Center

8:00 pm-10:00 pm
Performance 1: Staged Reading of an Adaptation………………………….Studio Theatre
The Poisonwood Bible written and directed by Joe Stollenwerk

Saturday, December 13
BREAKFAST AND DEPARTMENTAL WELCOME
8:45 am-9:20 am
Bagel Breakfast………………….…………………………………….Michaels Lobby

9:20 am-9:25 am
Welcome.………………………………………………………………Studio Theatre
Dr. Ronald Wainscott
Director of Graduate Studies and Head of Theatre History, Theory, and Literature

PANEL PRESENTATIONS

9:30 am-10:45 am
Panel 2a: Re- and Un-Known Musicals…………………………………………Studio Theatre
1. Capitalism Induced Cannibalization and the Contemporary American Musical Revival of Chicago
Mike Rodriguez, Masters Student in Theatre & Drama, Indiana University
2. When Hell Freezes Over, I’ll Skate: Vinnette Carroll’s Theatrical Melting Pot
Joe Stollenwerk, PhD Candidate in Theatre & Drama, Indiana University
3. Singing Multiculturalism; Bilingualism and the 2009 Production of West Side Story
Joshua Robinson, PhD Student in Theatre & Drama, Indiana University

9:30 am-10:45 am
Panel 2b: Transgressing Identity………………………….….………………….A 201
1. The Chinatown Cowboy: Re-masculating the Chinese Male Through the Drama of Frank Chin
Whit Emerson, PhD Student in Theatre & Drama, Indiana University
2. Transgressive Dramaturgy in Prison-Based Theatre
Julie Rada, Raymond C. Morals Fellow, University of Utah
3. Challenging Gender in Anna and the Tropics
Andres Lopez, PhD Student in Theatre & Drama, Indiana University
4. Chewing Up and Spitting Out a New White: Genet, Ward, Parks and the Absurd Terror of Whiteface
Susannah Stengel, Masters Student in Theatre & Drama, Indiana University
11:00 am-12:35 pm
Panel 3: Practical Multiculturalism Roundtable…………………..………………A 201
Moderator: Sara Taylor, PhD Student in Theatre & Drama, Indiana University
Panelists: Jennifer Goodlander, Assistant Professor of History,
Theory, and Literature, Indiana University
Mauricio Miranda, MFA Student in Playwriting, Indiana University
Bridgette Dreher, MFA Student in Scenic Design, Indiana University
David Koté, MFA Student in Directing, Indiana University
Caroline Huerta, BFA Student in Musical Theatre, Indiana University

12:45 pm-1:45 pm
Performance 2: Performance of a Translation…………………………….Studio Theatre
I Didn’t Expect Such Humanity by Lucienne Guedes Fahrer
Translated and Directed by Eric “C” Heaps
(mature content – nudity)

1:45 pm-3:00 pm
BREAK FOR LUNCH

3:00 pm-4:15 pm
Panel 4a: Cultural Adaptation and Appropriation…………………………..Studio Theatre
1. War Bonnet: Racist and Sexualized Misappropriation of Native Dress
Emmie Pappa Eddy, Masters Student in Folklore, Indiana University
2. Rediscovering Shakespeare Through Translations
Brennan Murphy, Arts Management and Theatre & Drama Major, Indiana University
3. Thunder God: The Difficulties of Producing Chinese Theatre at an American University
Lucia Xioran Zhu, Theatre & Drama Major, Indiana University
3:00 pm-4:15 pm
Panel 4b: Western Influences in Asia…………………………………….………A 201
1. Post-Colonial Indian Theatre
Jashodhara Sen, M.A. in Theatre Arts, Mumbai University
2. Brecht in China
Weiyu Li, Masters Student in Theatre & Drama, Indiana University
3. Kim Jong-il on the Invention of Tradition and the Art of Propaganda
Sara Taylor, PhD Student in Theatre & Drama, Indiana University

4:15 pm-4:30 pm
Snack Break………………………………………………………Theatre West Alcove

4:30-4:45 pm
Presentation of Essay Prize…………………………………………….Studio Theatre
Dr. Jennifer Goodlander
Assistant Professor of History, Theory, and Literature, Indiana University

4:45-6:00 pm
Keynote Address
Processo Colaborativo de Criação (Collaborative Process of Creation)……Studio Theatre
Lucienne Guedes Fahrer, Professor of Playwriting, Escola Superior de Artes Celia Helena

6:00-7:30 pm
Dinner Break

7:30-9:00 pm
IU Theatre…………………………..…………………………….Wells-Metz Theatre
In the Red and Brown Water by Tarell Alvin McCraney
Directed by David Koté
Talkback with David Koté and dramaturg Eric “C” Heaps to follow
Keynote Address

Lucienne Guedes Fahrer
lucienneguedes@terra.com.br
Escola Superior de Artes Celia Helena
Professor of Playwriting

Lucienne Guedes Fahrer is a playwright, actor, director, professor, and researcher. She received her first degree from the University of São Paulo (USP) in Theatre with a specialization in Theory of the Theatre (2000) and her Master’s in Theatre (2011), also from USP. As an invited artist for the Teatro de Narradores, Cia., she put on her production of CIDADE CORO – CIDADE FIM – CIDADE REVERSO, as both playwright and co-driector. This production represented Brazil in the Messe Frankfurt in Germany in 2013. She was also an invited actor for Cia. Balagan (under the direction of Maria Thaís Lima Santos) in the project Cabras in 2013. She was a founding actress of Teatro da Vertigem, with whom she has put on the productions O Paraíso Perdido (1992), Apocalipse 1,11 (2000), e A última palavra é a penúltima 2.0 (2014). In 1998 she was invited to be principal of the Free School of Theatre in Santo André. She was an invited professor of the Theatre Department of ECA-USP in 2009, 2010, and 2013 and an invited director for the School of Dramatic Arts at USP in 2014. She is professor of playwriting at the Escola Superior de Artes Celia Helena em São Paulo. She has a wide range of experience in the arts, with an emphasis in playwriting and acting/directing, workign principally in the following areas: the creation process, playwriting, theatrical interpretation, the collaborative process, body techniques, vocal techniques, and performance. Currently she is working on her doctorate at USP under the direction of Sílvia Fernandes (beginning in 2012), with her work focusing on the creative processes in playwriting.

“A restauração e os deslocamentos da narratividade no teatro”
“Restoration and Displacement in the Narrativity of Theatre”

Cultural Indigestion (colon) Exploring the Complexities of Interculturalism in Theatre and Performance

ART@IU Cultural Indigestion Conference

ART@IU Cultural Indigestion Conference

GRADUATE SYMPOSIUM @ INDIANA UNIVERSITY | CULTURAL INDIGESTION | DECEMBER 12-13, 2014

The 3rd Annual Indiana University Department of Theatre, Drama, and Contemporary Dance Graduate Symposium on Theatre & Performance Studies:

Cultural Indigestion (colon) Exploring the Complexities of Interculturalism in Theatre and Performance

“Tupi or not Tupi: that is the question.” -Oswald de Andrade

In 1928, Oswald de Andrade published his Cannibalist Manifesto, asserting Brazilians’ right to cannibalize other cultures and break free from post-colonial European dominance. In the next decade he would write the play The Candle King to try and put those ideas to work on stage. It was not performed until the Tropicalist movement found it and put it on in the 1960s. Such cultural tends to be linked with imperialism since those with the power are the ones appropriating the performance techniques and culture of others. This raises certain questions that do not sit easy on the stomach: Can cultural appropriation function in the way Andrade proposes? Is the metaphor of cannibalism or digestion appropriate for interculturalism? What are the stakes for the participants in intercultural performance?

In our increasingly global culture, the blurring of boundaries both forces cultures to mix and opens up more people to a desire to understand other cultures. In our third annual graduate symposium on theatre and performance studies, we hope to host a diverse, interdisciplinary community of scholars whose research ruminates on this mixed platter of performance and theory at the intersection of cultures. We seek proposals for papers, presentations, and performances that actively interrogate cultural cannibalism and intercultural performance.

Proposals might address topics relevant to the following areas:
• Cultural cannibalism
• Intercultural vs. Multicultural vs. Cross-cultural
• Borders and Margins
• Postcolonial performance
• Translation
• Diversity and difference
• Post-migrant theatre and immigration
• Syncretic theatre
• Adaptation and appropriation
• Bilingualism on the stage
• Diaspora studies

Conference dates: DECEMBER 12-13, 2014

Dancers and Composers Collaborate in Practice-as-research Project

IU Contemporary Dance and the Jacobs School of Music’s Student Composer Association present their annual collaboration between student choreographers and composers:

Hammer and Nail

An evening of original student works performed by student dancers and musicians

Wednesday April 23-24 // Performances @ 6:30 pm & 8:30 pm
Buskirk-Chumley Theatre
114 E Kirkwood Ave, Bloomington, IN 47408
(812) 323-3020

Hammer and Nail is an evening of contemporary dance featuring collaborations between Indiana University student choreographers and composers. It is a lively, dynamic event featuring the artistry and virtuosity of contemporary dance majors and the world-class Jacobs School of Music students.

An opportunity to hear live, original, musical scores accompany contemporary dance, it has become a favorite springtime event and is in its ninth year. The 6:30 pm and 8:30 pm programs feature different collaborations.

The event is free, and cash or non-perishable food donations are collected to benefit Hoosier Hills Community Food Bank.

Apr 21: MA/Phd Paper Presentations

IU’s Department of Theatre, Drama, & Contemporary Dance invite you to a presentation of graduate scholarship.

Selected MA/PhD students will share their work from the past year, followed by a response from theatre faculty.

Monday, April 21 // 4:30 pm
Wells-Metz Theatre
275 N. Jordan Ave. (Off the First Floor Theatre Lobby)
Reception to follow.

 Paper Presentations:

“‘Now I am loathest, alas, that ere was lost’: Satan’s Transformation(s) in the York Cycle”

Miriam Poole, PhD Student

 “Phenomenal Flatulence: A Consideration of Bodily Functions in The Imaginary Invalid”

Sarah Campbell, PhD Student

“Slaves in Algiers, or a Struggle for an American National Identity”

Michael Rodriguez, MA Student

“‘Well, I’ll be hanged for a halfpenny, if there be not some abomination knavery in this play’: Humor as Ugliness & Ugliness as Humor in Beaumont and Fletcher’s Knight of the Burning Pestle

Justin Rincker, PhD Student

Student Presenters:

Sarah Campbell
Sarah Campbell received her B.A. in Theatre from the University of Kentucky in Lexington, Kentucky and her M.A. in Theatre with an emphasis in Directing from the University of Nebraska Omaha. Her research interests include the phenomenological study of performance, the contemporary re-staging of Restoration texts, and Maya ritual performance in the Classic period. She is currently Vice President and conference co-chair for IU’s Association for Research in Theatre (ART@IU). Sarah is from Louisville, Kentucky.

Miriam Poole
Miriam received her B.A. in Theatre and German from Hillsdale College in Hillsdale, Michigan and her M.A. in Theatre HIstory, Theory, and Literature from Indiana University. Her research interests include medieval theatre, German romanticism, and the theatrical activities of the Irish Literary Revival. Miriam is from West Chicago, Illinois.

Justin Rincker
Justin received both his B.A. in Anthropology and English Literature and his M.A. in Drama from Washington University in St. Louis, Missouri. His research interests include the combined work of Tadashi Suzuki and Anne Bogart and the history of movement on the stage, especially in comic performance. Justin’s directing and performance credits include productions with Metro Theatre Company, New Jewish Theatre, OnSite Theatre Company, Dramatic License Productions, and HotCity Theatre, all in St. Louis.

Michael Rodriguez Mike received his B.A. in Cinema and Drama from San Francisco State University in San Francisco, California. Before coming to IU, he worked as an actor, a tour guide in Paris, and an ESL teacher. His current research project includes a critical look at American stage productions depicting slavery during the late eighteenth century. Mike also works for the Telluride Film Festival as the Alumni Coordinator of the Student Symposium.

Distinguished Acting Teacher Visits IU Theatre

Robert Benedetti

Dr. Robert Benedetti on Acting and the Current State of Theatre, Film, and Television

Robert Benedetti, PhD is a distinguished teacher of theatre who has had a forty-year career as a professor, director, and producer, and is the author of six books on stage and film. He was Dean of the School of Theatre at the California Institute of the Arts and Chairman of the Acting Department at the Yale Drama School, and won three Emmys and the Peabody Award for his films for HBO.

Thursday, April 10 | 5:30 pm
The Studio Theatre
2nd Flr., Lee Norvelle Theatre & Drama Center


ROBERT BENEDETTI received his PhD from Northwestern University. After serving as Artistic Director of the Court Theatre in Chicago, he was an early member of Chicago’s Second City Theatre, and then taught for fifty years at the University of Wisconsin, Carnegie-Mellon University, The National Theatre School of Canada, and the University of California, Riverside.

He was Chairman of Theatre at York University in Toronto, Chairman of the Acting Program at the Yale Drama School, and for eight years Dean of Theatre at The California Institute of the Arts. He was until 2011 a tenured Full Professor at the University of Nevada, Las Vegas, and Artistic Director of the Nevada Conservatory Theatre.

Benedetti has directed at many regional theatres, including the Tyrone Guthrie Theatre, Australia’s Melbourne Theatre Company, the Milwaukee, South Coast, and San Diego Repertory Theatres, the Oregon, Colorado, and Great Lakes Shakespeare festivals, and many others.

He has also worked in the art museum field, recreating the 1913 Futurist Opera VICTORY OVER THE SUN by Kasimir Malevich for the Los Angeles County Museum of Art, and has also created shows on German Expressionism and Russian Agitprop. His productions have appeared at the Berlin Festival, the Demeervart in Amsterdam, the Hirschhorn Museum at the Smithsonian, and the Brooklyn Academy. His films are in the permanent collection of MoMA and many other museums and university art departments.

He served as an advisor to the U. S. Department of Education and as a Fulbright Panelist. As President of Ted Danson’s Anasazi Productions at Paramount Studios, and later as an independent screenwriter/producer, he won three Best Picture Emmys, two Humanitas Prizes, and a Peabody Award for producing Miss Evers’ Boys and A Lesson Before Dying for HBO, and six other films. He most recently completed a screenplay for HBO on the 1885 Chicago Haymarket bombing.

Benedetti has also written six books on acting and film production, including The Actor At Work (10th edition), The Actor in You (5th edition), ACTION! Acting for Film and Television, and From Concept to Screen, an Overview of Film and TV Production.

In 2005 he received the Lifetime Career Achievement Award from the Association for Theatre in Higher Education (ATHE). In 2012 he was inducted into the College of Fellows of the American Theatre at the Kennedy Center.

This Friday 4/11 and next Friday 4/18  Robert Benedetti will ALSO be first in AD 060 from 1:00 to 3:00 and then in The Studio Theatre from 3:00 to 4:00.